The tune is also recorded by Joe Chambers on his 1992 release 'Phantom of the City'. 'Fun' by Miles Davis Miles Davis originally recorded this piece on January 11, 1968, and it wasn't released until 1981 as a part of compilation album 'Directions'. Best, Ville This post contains the following attachment types: -application/pdf. How do you guys perceive this chord? Please share your thoughts. In my opinion the 2nd chord (DbMaj7#9#11) at letter C has a F harmonic minor flavor. The accompanying organ figure at letter B (AbMaj7#11 ->Bb6) is just my own interpretation derived from the comp figure at letter A (and intro).
'Believe You Me' by John Abercrombie Here's a lead sheet for John Abercrombie's 'Believe You Me', which is recorded on his ECM album 'Night'. How do you guys break this down? Best, Ville This post contains the following attachment types: -application/pdf. The metric feel of the piece is somewhat ambiguous in some places I've written the 12/8 meter as 6/4, which are mathematically equal, although phrased differently. The sample percussion pattern at the beginning is not transcribed from the actual recording, but proposed as a sample Afro 12/8 pattern. 'Sleeping Giant' by Herbie Hancock Here's a lead sheet for Herbie Hancock's 'Sleeping Giant'. Doug Rosenberg's Transcriptions #7: Walter Smith III solo on 'Stablemates'In 'Doug. Keith Jarrett's solo on 'Bye Bye Balckbird' (Transcription by: Jason Patera)In 'Solo Transcription'.
Upon request by Savva Terentyev the transcription has been temporarily removed!!! This post contains the following attachment types: -youtube.ĭoug Rosenberg's Transcriptions #2: John Coltrane solo on 'Someday My Prince Will Come'In 'Doug Rosenberg'. Enjoy and let me know if you have any questions/feedback.
The transcription pertains to this 'original' recording: Tigran Hamasyan's 'Markos and Markos,' from his 2017 album, An Ancient Observer. Tigran mostly plays around with switching between swung 8s, straight 8s,16ths, and quintuplet swing. He recorded a half dozen LPs under his own name including his own compositions but is probably best remembered for his contribution to the greatest jazz recording of all time: Miles Davis' 'Kind Of Blue'.Tigran Hamasyan - Markos and Markos A transcription of a piece from one of my favorite pianists! Some of the rhythmic feels are hard to convey with notation and hard to analyze. Chambers performed as a sideman with some of the greatest names in jazz including Miles Davis, John Coltrane, Cannonball Adderley, Sonny Rollins, Wes Montgomery, Joe Henderson, Bill Evans, Wayne Shorter, Herbie Hancock, Hank Mobley, Lee Morgan, Gil Evans and Freddie Hubbard. Chambers recorded about a dozen albums as a leader or co-leader, and as a sideman, notably as the anchor of trumpeter Miles Davis's "first great quintet" (1955–63) and with pianist Wynton Kelly (1963–68).ĭuring his 13 year career between 19, Paul Chambers was one of the leading double bass players in jazz, performing with a wide variety of artists and a range of the music's sub-genres and recording over 300 LPs for labels such as Blue Note, Riverside, Mercury and Columbia Records. A fixture of rhythm sections during the 1950s and 1960s, his importance in the development of jazz bass can be measured not only by the extent of his work in this short period, but also by his impeccable timekeeping and intonation, and virtuosic improvisations. (Ap– January 4, 1969) was a jazz double bassist.
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